1
00:00:06,345 --> 00:00:08,225
MUSIC: "Theme From Doctor Who"
by Ron Grainer and Delia Derbyshire

2
00:00:13,865 --> 00:00:15,105
CHEERING

3
00:00:15,145 --> 00:00:17,905
It's a silly question, but are you
ready for a good time?

4
00:00:17,945 --> 00:00:19,065
CHEERING

5
00:00:19,105 --> 00:00:21,505
To celebrate a new Doctor, a new
companion.

6
00:00:21,545 --> 00:00:23,665
Lots of celebrations of lots of
Doctor Who.

7
00:00:23,705 --> 00:00:26,745
The Proms audience is going to go
ballistic,

8
00:00:26,785 --> 00:00:28,265
<font color="

9
00:00:29,505 --> 00:00:31,505
To play this stuff to thousands of
people -

10
00:00:31,545 --> 00:00:34,545
the joy on people's faces, sharing
in moments they've loved,

11
00:00:34,585 --> 00:00:37,825
being thrilled by the monsters -
it's a really joyous thing.

12
00:00:41,345 --> 00:00:43,185
He's going to get people really
<font color="

13
00:00:43,225 --> 00:00:45,305
I think it's going to make people
emotional.

14
00:00:45,345 --> 00:00:47,305
Sometimes it's terrifying, but in
the best way.

15
00:00:49,665 --> 00:00:50,825
I think there's going to be some
cheers,

16
00:00:50,865 --> 00:00:51,945
there's going to be some
screaming...

17
00:00:53,985 --> 00:00:55,585
<font color="
nostalgia

18
00:00:55,625 --> 00:00:57,065
from a lot of the people in the
audience.

19
00:00:58,505 --> 00:01:01,465
I know how much this show means to
so many people around the world,

20
00:01:01,505 --> 00:01:03,985
and, like, you can feel it -
everyone's so excited!

21
00:01:04,025 --> 00:01:05,545
BOY CHEERS

22
00:01:05,585 --> 00:01:08,985
<font color="
Doctor Who "Doctor Who".

23
00:01:10,185 --> 00:01:12,145
I grew up with this music, and so,

24
00:01:12,185 --> 00:01:14,545
to be a part of bringing it to life
again

25
00:01:14,585 --> 00:01:18,425
in this really special place...
Yeah, it's a pretty amazing moment.

26
00:01:20,185 --> 00:01:23,665
Every time I start singing and
<font color="

27
00:01:23,705 --> 00:01:24,905
CHEERING

28
00:01:24,945 --> 00:01:27,905
Inside, my ten-year-old self

29
00:01:27,945 --> 00:01:30,545
is ABSOLUTELY bubbling!

30
00:01:30,585 --> 00:01:32,345
Hello!

31
00:01:32,385 --> 00:01:33,425
I'm hoping to see Catherine Tate,

32
00:01:33,465 --> 00:01:35,345
because she's always amazingly
funny.

33
00:01:35,385 --> 00:01:36,425
Stop it!
AUDIENCE CHEER

34
00:01:36,465 --> 00:01:37,465
No!

35
00:01:38,985 --> 00:01:41,225
This music is designed to hit the
back row -

36
00:01:41,265 --> 00:01:43,745
<font color="

37
00:01:43,785 --> 00:01:46,305
The communal experience of it -

38
00:01:46,345 --> 00:01:48,665
being with those fans and seeing the
excitement -

39
00:01:48,705 --> 00:01:50,985
it's just a brilliant experience.

40
00:01:52,425 --> 00:01:55,145
CHEERING AND APPLAUSE

41
00:02:00,145 --> 00:02:02,465
MUSIC: "The Doctor's Theme"
by Murray Gold

42
00:02:06,145 --> 00:02:08,385
VOCALISING

43
00:03:35,345 --> 00:03:37,785
MUSIC BECOMES DISCORDANT

44
00:04:05,345 --> 00:04:07,025
DRAMATIC CRESCENDO

45
00:04:07,065 --> 00:04:09,945
MUSIC: "Fifteen"
by Murray Gold

46
00:06:13,945 --> 00:06:15,265
GOBLINS SNARL

47
00:06:43,425 --> 00:06:44,465
BOGEYMAN GROWLS

48
00:07:33,225 --> 00:07:35,105
CHEERING AND APPLAUSE

49
00:07:55,465 --> 00:07:57,425
Hello!

50
00:07:57,465 --> 00:07:58,465
CHEERING AND APPLAUSE

51
00:08:01,865 --> 00:08:03,785
CATHERINE LAUGHS

52
00:08:03,825 --> 00:08:05,425
Hello, hello!

53
00:08:06,705 --> 00:08:07,705
Oh, stop!

54
00:08:09,145 --> 00:08:10,385
Stop!
CHEERING FADES

55
00:08:11,745 --> 00:08:13,945
Oh, I feel like I'm at a convention!
LAUGHTER

56
00:08:15,625 --> 00:08:17,585
What a way to open the show.

57
00:08:17,625 --> 00:08:20,545
Look at you people standing.
CHUCKLING

58
00:08:20,585 --> 00:08:22,145
Look at you - hello!

59
00:08:22,185 --> 00:08:24,625
Hello! Look at you, look at you, look
at you!

60
00:08:24,665 --> 00:08:26,945
And up there, and up there, and up
there!

61
00:08:28,425 --> 00:08:32,385
A very warm welcome to the Doctor Who
prom.

62
00:08:32,425 --> 00:08:36,145
I'm Catherine Tate, and I am also
Donna Noble in Doctor Who.

63
00:08:36,185 --> 00:08:37,545
CHEERING AND APPLAUSE,
CATHERINE LAUGHS

64
00:08:41,945 --> 00:08:46,505
You are in for a spectacular sonic
treat, today.

65
00:08:46,545 --> 00:08:46,865
You are in for a spectacular sonic
treat, today.

66
00:08:46,905 --> 00:08:48,265
Oh, yes!

67
00:08:48,305 --> 00:08:50,105
We're going to have a dabba-doo time.

68
00:08:50,145 --> 00:08:55,025
We just heard "Fifteen" performed by
the BBC National Orchestra of Wales -

69
00:08:55,065 --> 00:08:55,825
We just heard "Fifteen" performed by
the BBC National Orchestra of Wales -

70
00:08:55,865 --> 00:09:00,065
leader Lesley Hatfield with Lenny
Sayers on bass clarinet,

71
00:09:00,105 --> 00:09:04,545
David Miller on baritone sax,
the London Philharmonic Choir,

72
00:09:04,585 --> 00:09:05,185
David Miller on baritone sax,
the London Philharmonic Choir,

73
00:09:05,225 --> 00:09:07,065
all conducted by Alastair King,

74
00:09:07,105 --> 00:09:12,025
and featuring the stunning voice
of soprano Aida Garifullina.

75
00:09:12,065 --> 00:09:12,385
and featuring the stunning voice
of soprano Aida Garifullina.

76
00:09:12,425 --> 00:09:15,425
CHEERING AND APPLAUSE

77
00:09:17,225 --> 00:09:21,025
"Fifteen", like so much of the music
in today's prom,

78
00:09:21,065 --> 00:09:24,265
was written by Doctor Who legend,
Murray Gold...

79
00:09:24,305 --> 00:09:27,385
CHEERING AND APPLAUSE,
CATHERINE LAUGHS

80
00:09:29,305 --> 00:09:32,585
..who returned to the series last
year

81
00:09:32,625 --> 00:09:37,505
for the 60th anniversary specials
and most recent season.

82
00:09:37,545 --> 00:09:37,625
for the 60th anniversary specials
and most recent season.

83
00:09:37,665 --> 00:09:42,705
Murray Gold and Segun Akinola,
composer of the 13th Doctor's era,

84
00:09:42,745 --> 00:09:44,265
are in the audience today...

85
00:09:44,305 --> 00:09:46,825
CHEERING AND APPLAUSE

86
00:09:48,545 --> 00:09:52,705
..together with former showrunner
Steven Moffat,

87
00:09:52,745 --> 00:09:56,065
and returning showrunner, Russell T
Davies.

88
00:09:56,105 --> 00:09:57,665
CHEERING AND APPLAUSE

89
00:09:59,425 --> 00:10:01,585
Where are they? Whoo!

90
00:10:03,625 --> 00:10:05,705
Feel the love, people!

91
00:10:06,985 --> 00:10:10,425
Unbelievably, it is 11 years

92
00:10:10,465 --> 00:10:13,385
since Doctor Who was last seen at the
Proms,

93
00:10:13,425 --> 00:10:16,385
and so, so much has happened since
then -

94
00:10:16,425 --> 00:10:21,065
three more Doctors, for a start,
including the first female Doctor.

95
00:10:21,105 --> 00:10:23,305
CHEERING AND APPLAUSE
Yes!

96
00:10:26,025 --> 00:10:29,345
And then, last November...

97
00:10:30,505 --> 00:10:32,025
..THAT face returned.

98
00:10:32,065 --> 00:10:33,705
LAUGHTER AND CHEERING

99
00:10:35,105 --> 00:10:37,465
Mine.
LAUGHTER

100
00:10:37,505 --> 00:10:39,945
CATHERINE CHUCKLES
We...

101
00:10:39,985 --> 00:10:41,465
Stop it!
CHEERING INTENSIFIES

102
00:10:41,505 --> 00:10:42,745
No!

103
00:10:44,625 --> 00:10:48,985
With music from "Star Beast" and "The
Giggle",

104
00:10:49,025 --> 00:10:52,345
this is "The Doctor, Donna and The
Toymaker".

105
00:10:52,385 --> 00:10:53,865
CHEERING

106
00:11:01,345 --> 00:11:04,385
MUSIC SUITE: "The Doctor, Donna and The
Toymaker" by Murray Gold

107
00:15:57,225 --> 00:15:58,665
CHEERING AND APPLAUSE

108
00:16:05,665 --> 00:16:09,385
Bi-generation, who would have
known?

109
00:16:10,585 --> 00:16:13,625
One thing is for certain - that there
is a brand-new face

110
00:16:13,665 --> 00:16:17,785
flying the Tardis, and with him a
new companion.

111
00:16:17,825 --> 00:16:20,145
Mirroring the Doctor's own story,

112
00:16:20,185 --> 00:16:22,465
she's also a foundling with a
mystery to solve.

113
00:16:23,545 --> 00:16:28,665
{\an8}So, are you ready to be transported
on a musical adventure?

114
00:16:28,705 --> 00:16:30,505
CHEERING

115
00:16:32,025 --> 00:16:34,265
Well, there's lucky...
CHUCKLING

116
00:16:34,305 --> 00:16:37,585
..because we're going to take you on
a ride in the Tardis...

117
00:16:38,585 --> 00:16:40,505
..with the Doctor and Ruby Sunday -

118
00:16:40,545 --> 00:16:43,465
travelling to a futuristic space
station

119
00:16:43,505 --> 00:16:47,785
where every child's worst nightmare
is lurking in the shadows.

120
00:16:48,785 --> 00:16:50,265
SING-SONG: Ominous!

121
00:16:50,305 --> 00:16:53,185
CHUCKLING
Then, on to Regency England,

122
00:16:53,225 --> 00:16:56,425
and an encounter with shapeshifting
Chuldurs,

123
00:16:56,465 --> 00:16:59,585
not to mention a charismatic bounty
hunter.

124
00:16:59,625 --> 00:17:01,385
WOLF WHISTLE
Yes!

125
00:17:01,425 --> 00:17:02,865
LAUGHTER

126
00:17:02,905 --> 00:17:07,505
Yes! Featuring music from "Space
Babies" and "Rogue",

127
00:17:07,545 --> 00:17:09,865
this is "Into The Vortex".

128
00:17:11,345 --> 00:17:12,705
CHEERING AND APPLAUSE

129
00:17:17,905 --> 00:17:20,705
MUSIC SUITE: "Into The Vortex"
by Murray Gold

130
00:18:36,305 --> 00:18:38,185
GUNGE OOZES

131
00:21:22,505 --> 00:21:23,905
BOGEYMAN HOWLS

132
00:24:01,785 --> 00:24:02,745
I'm not a Chuldur.

133
00:24:04,585 --> 00:24:07,345
<font color="
more powerful.

134
00:24:08,665 --> 00:24:13,025
I'm a Lord of Time from the lost and
fallen planet of Gallifrey.

135
00:24:13,065 --> 00:24:13,185
I'm a Lord of Time from the lost and
fallen planet of Gallifrey.

136
00:24:14,585 --> 00:24:17,305
Now, let me go, bounty hunter.

137
00:24:18,585 --> 00:24:21,065
We have work to do.

138
00:24:34,345 --> 00:24:36,505
CHEERING AND APPLAUSE

139
00:24:46,865 --> 00:24:51,225
<font color="
Panet Earth!

140
00:24:51,265 --> 00:24:51,865
Atttention, Albert Hall, London, UK,
Panet Earth!

141
00:24:51,905 --> 00:24:56,545
I am the Vlinkstatic
X-Form Robo-Neuro-Actoform

142
00:24:56,585 --> 00:24:56,745
I am the Vlinkstatic
X-Form Robo-Neuro-Actoform

143
00:24:56,785 --> 00:25:01,865
<font color="
call me "The Vlinx!"

144
00:25:01,905 --> 00:25:02,745
Designation Number 5576, but you can
call me "The Vlinx!"

145
00:25:02,785 --> 00:25:04,985
Hello!
AUDIENCE:Hello!

146
00:25:05,025 --> 00:25:07,465
I said, "Hello"!

147
00:25:07,505 --> 00:25:09,665
AUDIENCE:HELLO!
Thank you.

148
00:25:09,705 --> 00:25:14,625
<font color="
introduce a very special guest -

149
00:25:14,665 --> 00:25:14,785
And it is my greatest function to
introduce a very special guest -

150
00:25:14,825 --> 00:25:18,585
human beings, please welcome...
The Doctor!

151
00:25:18,625 --> 00:25:20,705
VWORP!

152
00:25:20,745 --> 00:25:23,025
Hello!
AUDIENCE CHEER

153
00:25:23,065 --> 00:25:26,985
Hallo, there, Royal Albert Hall.
HE LAUGHS

154
00:25:28,265 --> 00:25:30,025
OK, look at you!

155
00:25:30,065 --> 00:25:31,905
ALARM BLARES
<font color="

156
00:25:31,945 --> 00:25:34,545
The Albert Hall is being invaded!

157
00:25:34,585 --> 00:25:37,185
Save yourselves, because here
comes...

158
00:25:37,225 --> 00:25:40,065
MELODIC CACKLING
..The Pantheon of Discord!

159
00:25:40,105 --> 00:25:41,745
SING-SONG:Ta-dah!

160
00:25:41,785 --> 00:25:43,625
AUDIENCE CHEER AND BOO

161
00:25:45,825 --> 00:25:50,545
I am...Maestro, the God of Music,

162
00:25:50,585 --> 00:25:55,025
And music is MINE!

163
00:25:55,065 --> 00:25:55,705
<font color="

164
00:25:55,745 --> 00:25:57,505
THEY CACKLE,
AUDIENCE CHUCKLE

165
00:25:57,545 --> 00:26:00,585
Oh, scream all you like!

166
00:26:00,625 --> 00:26:02,945
Yeah, yeah, yeah -

167
00:26:02,985 --> 00:26:05,145
you tiny little human pimples!

168
00:26:05,185 --> 00:26:06,425
THEY LAUGH

169
00:26:06,465 --> 00:26:09,785
Cos the Doctor can't stop me this
time!

170
00:26:09,825 --> 00:26:12,385
My powers are vast and godlike,

171
00:26:12,425 --> 00:26:16,305
and my hairstyle is exquisite,
<font color="

172
00:26:17,585 --> 00:26:22,625
And now, I have an orchestra in the
world's finest auditorium!

173
00:26:22,665 --> 00:26:24,065
And now, I have an orchestra in the
world's finest auditorium!

174
00:26:24,105 --> 00:26:28,985
And I will feast, because I know
that when humans hear bad music,

175
00:26:29,025 --> 00:26:30,345
And I will feast, because I know
<font color="

176
00:26:30,385 --> 00:26:33,585
it creates a dissonance in your
heads.

177
00:26:33,625 --> 00:26:35,785
AUDIENCE LAUGH
Yeah, dissonance!

178
00:26:35,825 --> 00:26:38,825
Get me and my fancy vocabulary,
chickadees.

179
00:26:38,865 --> 00:26:41,785
Ha! Diss-o-nance!

180
00:26:41,825 --> 00:26:46,105
And that pain becomes food and drink
for me.

181
00:26:46,145 --> 00:26:47,985
<font color="

182
00:26:48,025 --> 00:26:52,385
and I will grow in power as I
command this orchestra to play

183
00:26:52,425 --> 00:26:53,585
and I will grow in power as I
command this orchestra to play

184
00:26:53,625 --> 00:26:56,505
the world's worst song EVER!

185
00:26:56,545 --> 00:26:58,265
THEY LAUGH

186
00:26:58,305 --> 00:27:01,305
That's right, boys, and girls, and
everyone,

187
00:27:01,345 --> 00:27:06,185
<font color="
song - "I've Got A Dog"!

188
00:27:06,225 --> 00:27:06,585
it's your all-time LEAST favourite
song - "I've Got A Dog"!

189
00:27:06,625 --> 00:27:08,625
THEY CACKLE,
CHEERING

190
00:27:08,665 --> 00:27:10,545
And a-one, and a-two...

191
00:27:10,585 --> 00:27:13,145
MUSIC: "I've Got A Dog"
by Murray Gold

192
00:27:13,185 --> 00:27:15,265
Oh... Mmm...

193
00:27:15,305 --> 00:27:17,545
Tasty... More, more!
THEY CACKLE

194
00:27:17,585 --> 00:27:19,705
<font color="
He's called Fred

195
00:27:19,745 --> 00:27:22,545

He's not dead

196
00:27:22,585 --> 00:27:23,945


197
00:27:23,985 --> 00:27:25,225
Tasty!
THEY CACKLE

198
00:27:25,265 --> 00:27:27,585

I haven't got a cat

199
00:27:27,625 --> 00:27:29,585

My Dog, my Dog...

200
00:27:29,625 --> 00:27:30,665
<font color="

201
00:27:30,705 --> 00:27:31,865


202
00:27:31,905 --> 00:27:33,705
I am FEASTING, after all! Ha!

203
00:27:33,745 --> 00:27:34,745

I love my dog...

204
00:27:34,785 --> 00:27:37,025
Emergency message from the Doctor!

205
00:27:37,065 --> 00:27:41,385
He recommends that everyone starts
clapping - IMMEDIATELY!

206
00:27:41,425 --> 00:27:43,905
Human beings must clap!

207
00:27:43,945 --> 00:27:47,265
CHEERING AND APPLAUSE

208
00:27:49,545 --> 00:27:54,025
But I love the applause - it is
music to my ears.

209
00:27:54,065 --> 00:27:54,305
But I love the applause - it is
music to my ears.

210
00:27:54,345 --> 00:27:56,865
Everyone SHOULD adore me!

211
00:27:56,905 --> 00:27:59,985
The Doctor has an astute grasp of
logic,

212
00:28:00,025 --> 00:28:04,625
because applause takes place
<font color="

213
00:28:04,665 --> 00:28:04,785
because applause takes place
ONLY when the music has stopped!

214
00:28:04,825 --> 00:28:09,425
Therefore, clapping will cancel out
Maestro's powers.

215
00:28:09,465 --> 00:28:12,985
Recommendation - applause from all.

216
00:28:13,025 --> 00:28:16,265
Don't just clap, stand up, cheer!

217
00:28:16,305 --> 00:28:17,825
No!
CHEERING AND APPLAUSE

218
00:28:17,865 --> 00:28:19,705
<font color="

219
00:28:19,745 --> 00:28:22,145
Make a lot of noise!

220
00:28:22,185 --> 00:28:25,465
No, no, no! STOP, I beg of you!

221
00:28:25,505 --> 00:28:28,465
Go crazy! No, stop, please!

222
00:28:28,505 --> 00:28:29,785
I'm going to...

223
00:28:30,745 --> 00:28:33,025
..EXPLODE!

224
00:28:33,065 --> 00:28:35,225
CHEERING AND APPLAUSE

225
00:28:41,505 --> 00:28:44,985
Operation Maestro a complete
success!

226
00:28:45,025 --> 00:28:47,185
<font color="

227
00:28:47,225 --> 00:28:52,345
And don't forget - Maestro is so
wrong. There is no bad music.

228
00:28:52,385 --> 00:28:55,705
If it's an orchestra, or a band, or
the wind in the trees,

229
00:28:55,745 --> 00:28:58,945
or your next-door neighbour singing
in the shower, music is beautiful,

230
00:28:58,985 --> 00:29:01,545
and the God of Music has no power
over you,

231
00:29:01,585 --> 00:29:04,985
because music belongs to everyone.
The amazing human race -

232
00:29:05,025 --> 00:29:09,225
sailing through the cosmos and
singing to the stars. Forever.

233
00:29:10,665 --> 00:29:11,945
Love you. Bye-bye.

234
00:29:11,985 --> 00:29:13,265
CHEERING AND APPLAUSE

235
00:29:13,305 --> 00:29:15,145
VWORP!

236
00:29:22,665 --> 00:29:25,705
{\an8}MUSIC: "I Am The Doctor"
by Murray Gold

237
00:29:25,745 --> 00:29:27,705
CHEERING AND APPLAUSE

238
00:32:20,945 --> 00:32:22,825
CHEERING

239
00:32:35,585 --> 00:32:38,265
Hello, Stonehenge!
CHEERING AND APPLAUSE

240
00:32:38,305 --> 00:32:40,585
MUSIC: "Words Win Wars"
by Murray Gold

241
00:32:40,625 --> 00:32:43,025
Who takes the Pandorica takes the
universe.

242
00:32:43,065 --> 00:32:45,265
But bad news, everyone...

243
00:32:47,385 --> 00:32:49,105
..cos guess who? Ha!

244
00:32:50,465 --> 00:32:51,465
Listen, you lot,

245
00:32:51,505 --> 00:32:53,065
you're all whizzing about,

246
00:32:53,105 --> 00:32:54,945
it's really very distracting.

247
00:32:54,985 --> 00:32:56,945
Could you all just stay still a
minute?

248
00:32:56,985 --> 00:33:01,225
Because I AM TALKING!

249
00:33:05,425 --> 00:33:07,785
Now, the question of the hour is,
who's got the Pandorica?

250
00:33:07,825 --> 00:33:08,865
Answer, I do.

251
00:33:08,905 --> 00:33:09,865
Next question -

252
00:33:09,905 --> 00:33:11,665
who's coming to take it from me?

253
00:33:13,985 --> 00:33:16,625
Come o-o-on! Look at me!

254
00:33:16,665 --> 00:33:19,025
No plan, no back up, no weapons worth
a damn.

255
00:33:19,065 --> 00:33:21,065
Oh, and something else I don't
have...

256
00:33:21,105 --> 00:33:22,865
Anything. To. Lose!

257
00:33:22,905 --> 00:33:26,185
So, if you're sitting up there in
your silly little spaceship,

258
00:33:26,225 --> 00:33:28,785
with all your silly little guns,

259
00:33:28,825 --> 00:33:32,225
and you've got any plans on taking
the Pandorica tonight,

260
00:33:32,265 --> 00:33:35,425
just remember who's standing in your
way.

261
00:33:35,465 --> 00:33:39,905
Remember every black day I ever
stopped you,

262
00:33:39,945 --> 00:33:42,865
and then - and THEN...

263
00:33:43,905 --> 00:33:45,225
..do the smart thing...

264
00:33:48,105 --> 00:33:50,145
..let somebody else try first.

265
00:33:51,185 --> 00:33:53,465
CHEERING AND APPLAUSE

266
00:34:10,425 --> 00:34:11,425
Trust me...

267
00:34:14,705 --> 00:34:15,745
..I'm the Doctor.

268
00:34:22,265 --> 00:34:24,625
CHEERING AND APPLAUSE

269
00:34:32,705 --> 00:34:37,225
There is nothing quite like a
full-on monster invasion

270
00:34:37,265 --> 00:34:39,425
to get the pulse racing!

271
00:34:39,465 --> 00:34:43,545
That was "I Am The Doctor",
the unforgettable theme

272
00:34:43,585 --> 00:34:48,385
for the 11th Doctor, played by the
magnificent...?

273
00:34:48,425 --> 00:34:49,145
for the 11th Doctor, played by the
magnificent...?

274
00:34:49,185 --> 00:34:50,305
AUDIENCE:Matt Smith!

275
00:34:50,345 --> 00:34:53,065
..Matt Smith for ten points!

276
00:34:53,105 --> 00:34:54,985
CHEERING AND APPLAUSE

277
00:34:57,425 --> 00:35:01,185
Later, we will hear a collection of
iconic themes

278
00:35:01,225 --> 00:35:03,465
written for the Doctor's companions,

279
00:35:03,505 --> 00:35:08,385
for now, we are going to hear music
from the most recent season,

280
00:35:08,425 --> 00:35:11,505
{\an8}and the beautiful waltz theme written
by Murray Gold

281
00:35:11,545 --> 00:35:13,665
{\an8}for the Doctor's latest companion...

282
00:35:13,705 --> 00:35:15,585
Oh, gosh, sorry.

283
00:35:15,625 --> 00:35:16,945
LAUGHTER

284
00:35:18,665 --> 00:35:20,425
It is Ruby Sunday, thank you!

285
00:35:20,465 --> 00:35:21,985
LAUGHTER

286
00:35:22,025 --> 00:35:23,945
Obviously, I nearly said
"Ruby Tuesday"!

287
00:35:23,985 --> 00:35:25,225
LAUGHTER
Sorry!

288
00:35:26,225 --> 00:35:28,545
I'm rambling! Come on, they're paying
me by the hour!

289
00:35:28,585 --> 00:35:29,785
LAUGHTER AND APPLAUSE

290
00:35:36,545 --> 00:35:39,345
I guess we all know it
was...Ruby Sunday.

291
00:35:39,385 --> 00:35:40,545
LAUGHTER

292
00:35:40,585 --> 00:35:43,305
Sorry. From "The Devil's Chord",

293
00:35:43,345 --> 00:35:46,785
this is "The Life Of Sunday".

294
00:35:46,825 --> 00:35:49,225
CHEERING AND APPLAUSE

295
00:35:55,425 --> 00:35:59,305
MUSIC: "The Life Of Sunday"
by Murray Gold

296
00:39:53,145 --> 00:39:55,145
CHEERING AND APPLAUSE

297
00:40:00,105 --> 00:40:02,585
{\an8}The BBC National Orchestra of Wales,

298
00:40:02,625 --> 00:40:04,545
conducted by Alastair King,

299
00:40:04,585 --> 00:40:07,745
and featuring Catherine Roe-Williams
on piano.

300
00:40:07,785 --> 00:40:12,425
That was "The Life of Sunday", and it
brings us to the final piece

301
00:40:12,465 --> 00:40:12,745
That was "The Life of Sunday", and it
brings us to the final piece

302
00:40:12,785 --> 00:40:15,865
in the first half of the Doctor Who
prom.

303
00:40:15,905 --> 00:40:17,785
I mean, it's flown by, hasn't it,
sir?

304
00:40:17,825 --> 00:40:19,465
LAUGHTER

305
00:40:19,505 --> 00:40:23,985
First heard in January 2010
in "The End of Time",

306
00:40:24,025 --> 00:40:28,065
"Vale Decem" was written to accompany
the Tenth Doctor's regeneration.

307
00:40:28,105 --> 00:40:31,865
After wiping Donna's memories to save
her life

308
00:40:31,905 --> 00:40:34,345
and saying his final farewells,

309
00:40:34,385 --> 00:40:38,625
the Doctor is visited by an Ood
as he reluctantly says goodbye.

310
00:40:39,665 --> 00:40:42,025
To sing "Vale Decem",

311
00:40:42,065 --> 00:40:46,145
please welcome back our wonderful
soloist, Aida Garifullina.

312
00:40:46,185 --> 00:40:47,985
CHEERING AND APPLAUSE

313
00:40:59,225 --> 00:41:02,425
MUSIC: "Vale Decem"
by Murray Gold

314
00:41:10,785 --> 00:41:15,145


315
00:41:15,185 --> 00:41:17,065
<font color="

316
00:41:17,105 --> 00:41:21,505


317
00:41:21,545 --> 00:41:24,065


318
00:41:24,105 --> 00:41:28,945


319
00:41:28,985 --> 00:41:30,465


320
00:41:30,505 --> 00:41:35,305


321
00:41:35,345 --> 00:41:37,945


322
00:41:37,985 --> 00:41:42,745


323
00:41:42,785 --> 00:41:43,665


324
00:41:44,665 --> 00:41:49,145


325
00:41:49,185 --> 00:41:51,105


326
00:41:51,145 --> 00:41:55,505
<font color="

327
00:41:55,545 --> 00:41:58,265


328
00:41:58,305 --> 00:42:02,945


329
00:42:02,985 --> 00:42:05,145


330
00:42:05,185 --> 00:42:10,385


331
00:42:10,425 --> 00:42:12,025


332
00:42:12,065 --> 00:42:16,745


333
00:42:16,785 --> 00:42:18,545


334
00:42:18,585 --> 00:42:23,105


335
00:42:23,145 --> 00:42:25,385


336
00:42:25,425 --> 00:42:30,545


337
00:42:30,585 --> 00:42:32,585
<font color="

338
00:42:32,625 --> 00:42:36,945


339
00:42:36,985 --> 00:42:39,425


340
00:42:39,465 --> 00:42:44,345


341
00:42:44,385 --> 00:42:46,425


342
00:42:46,465 --> 00:42:50,745


343
00:42:50,785 --> 00:42:51,305


344
00:42:51,345 --> 00:42:55,785


345
00:42:55,825 --> 00:43:00,305


346
00:43:00,345 --> 00:43:00,625


347
00:43:00,665 --> 00:43:02,545


348
00:43:02,585 --> 00:43:07,745
<font color="

349
00:43:07,785 --> 00:43:10,425


350
00:43:10,465 --> 00:43:15,185

okay, okay

351
00:43:15,225 --> 00:43:16,185

okay, okay

352
00:43:16,225 --> 00:43:19,865


353
00:43:19,905 --> 00:43:24,745


354
00:43:24,785 --> 00:43:26,465


355
00:43:26,505 --> 00:43:30,625
VOCALISING

356
00:44:17,865 --> 00:44:22,065
CHEERING AND APPLAUSE

357
00:44:45,025 --> 00:44:48,225
DALEK VOICE:<font color="

358
00:44:48,265 --> 00:44:50,985
CHEERING
Attention!

359
00:44:51,025 --> 00:44:52,425
Silence!

360
00:44:54,105 --> 00:44:56,705
Royal Albert Hall...
CHEERING AND APPLAUSE

361
00:44:56,745 --> 00:45:01,425
..this Doctor Who prom must cease
IMMEDIATELY.

362
00:45:01,465 --> 00:45:01,745
..this Doctor Who prom must cease
IMMEDIATELY.

363
00:45:02,785 --> 00:45:05,985
<font color="
Daleks.

364
00:45:07,145 --> 00:45:11,665
Conductor, step down from the
platform!

365
00:45:12,865 --> 00:45:17,345
Orchestra, choir, you are now all
servants of the Daleks

366
00:45:17,385 --> 00:45:20,705
Orchestra, choir, you are now all
servants of the Daleks

367
00:45:20,745 --> 00:45:24,625
and must exit the stage
<font color="

368
00:45:24,665 --> 00:45:27,905
LAUGHTER
..Or you will be EXTERMINATED!

369
00:45:27,945 --> 00:45:29,145
CHEERING AND APPLAUSE

370
00:45:29,185 --> 00:45:34,385
Audience, behold the might of the
Daleks!

371
00:45:34,425 --> 00:45:35,025
Audience, behold the might of the
Daleks!

372
00:45:35,065 --> 00:45:39,425
You must all remain standing and
await further music

373
00:45:39,465 --> 00:45:42,105
<font color="

374
00:45:42,145 --> 00:45:45,625
Exterminate! Exterminate!

375
00:45:45,665 --> 00:45:48,065
EXTERMINATE!

376
00:45:48,105 --> 00:45:50,065
CHEERING AND APPLAUSE

377
00:45:59,625 --> 00:46:01,625
Today, I am dressing up some
monsters.

378
00:46:02,905 --> 00:46:07,305
I'm going to be looking after the
Judoon and CyberMasters.

379
00:46:07,345 --> 00:46:07,465
I'm going to be looking after the
<font color="

380
00:46:07,505 --> 00:46:09,625
I'm going to dress up the Mires,

381
00:46:09,665 --> 00:46:12,305
which is a costume that we made
over ten years ago,

382
00:46:12,345 --> 00:46:14,865
so I'm having to remember how to
put it all together again.

383
00:46:14,905 --> 00:46:15,985
SHE LAUGHS

384
00:46:16,025 --> 00:46:18,625
Five minute call. This is five
minute call for the Ood.

385
00:46:18,665 --> 00:46:21,665
<font color="
into the world and saying,

386
00:46:21,705 --> 00:46:23,225
"Go and be mad and..."
HE CHUCKLES

387
00:46:23,265 --> 00:46:24,345
"..And cause some chaos".

388
00:46:24,385 --> 00:46:25,665
I'm a massive Doctor Who nerd.

389
00:46:25,705 --> 00:46:28,305
Every time that I get to do
anything with Doctor Who is...

390
00:46:28,345 --> 00:46:29,305
It's always a fun time.

391
00:46:29,345 --> 00:46:30,945
OVER RADIO:<font color="

392
00:46:30,985 --> 00:46:32,225
Sorry about my hand.

393
00:46:32,265 --> 00:46:34,185
This is my friend, here.

394
00:46:34,225 --> 00:46:37,265
So, I am the Judoon Captain, this
time, so...

395
00:46:37,305 --> 00:46:39,465
It's a great venue, great
orchestra,

396
00:46:39,505 --> 00:46:42,065
it's going to be fantastic.
HE GROWLS

397
00:46:42,985 --> 00:46:45,105
ELEVATOR MUSIC PLAYS

398
00:46:51,625 --> 00:46:53,545
<font color="
I think.

399
00:46:53,585 --> 00:46:56,705
I was scared of them as a kid -
hiding behind the sofa,

400
00:46:56,745 --> 00:46:58,785
all the cliches - so to actually be
one,

401
00:46:58,825 --> 00:47:01,305
I had to pinch myself constantly.

402
00:47:01,345 --> 00:47:04,185
You just have to make sure you
don't knock anyone over.

403
00:47:04,225 --> 00:47:06,385
<font color="

404
00:47:06,425 --> 00:47:08,065
that would be wrong,

405
00:47:08,105 --> 00:47:10,665
but if I take out a few bassoonists,
that's OK.

406
00:47:10,705 --> 00:47:11,785
HE CHUCKLES

407
00:47:16,425 --> 00:47:19,465
I've done pretty much every
incarnation of the Cybermen.

408
00:47:19,505 --> 00:47:23,225
It's such a pleasure to wear one of
these iconic costumes.

409
00:47:23,265 --> 00:47:26,505
<font color="
much fun it can be.

410
00:47:26,545 --> 00:47:29,945
Although they are villainous, people
do adore them,

411
00:47:29,985 --> 00:47:32,585
so if someone wants to give me a
cuddle, they can!

412
00:47:32,625 --> 00:47:34,305
HE CHUCKLES

413
00:47:36,545 --> 00:47:37,865
My name's Paul Kasey,

414
00:47:37,905 --> 00:47:40,865
and I'm the movement director for
<font color="

415
00:47:40,905 --> 00:47:43,465
We have a lot of Doctor Who
characters.

416
00:47:43,505 --> 00:47:46,265
All the characters have very precise
movement,

417
00:47:46,305 --> 00:47:51,425
We just choose a certain point where
both of you will go, "phwoo!"

418
00:47:51,465 --> 00:47:52,025
We just choose a certain point where
<font color="

419
00:47:54,185 --> 00:47:58,385
There's, you know, limited vision,
limited hearing,

420
00:47:58,425 --> 00:48:01,225
there's a lot of stairs involved
in, you know, in the auditorium,

421
00:48:01,265 --> 00:48:04,425
so it's working out the stairs and
how many steps they need,

422
00:48:04,465 --> 00:48:06,145
and what their journeys are.

423
00:48:06,185 --> 00:48:08,145
<font color="

424
00:48:08,185 --> 00:48:11,305
but as we move forward, we make it
look very easy.

425
00:48:15,065 --> 00:48:17,665
This is my first time doing the
proms. I'm very excited.

426
00:48:17,705 --> 00:48:21,265
I'm ready to be very slimy, be very
creepy,

427
00:48:21,305 --> 00:48:23,545
scare a few babies, mainly, cos, you
know, Bogeyman.

428
00:48:23,585 --> 00:48:25,025
<font color="
you know.

429
00:48:25,065 --> 00:48:28,545
Yeah, just be very creep and
just...snot about!

430
00:48:28,585 --> 00:48:29,825
HE CHUCKLES

431
00:48:29,865 --> 00:48:31,345
MUSIC: "I Am The Doctor"
by Murray Gold

432
00:48:31,385 --> 00:48:33,465
We're Peg Dolls, so... Yeah!

433
00:48:33,505 --> 00:48:35,185
Yeah, we're not as scary as we look.
THEY CHUCKLE

434
00:48:35,225 --> 00:48:37,305
<font color="
weird but... Yeah.

435
00:48:37,345 --> 00:48:39,585
..we're not that weird. Yeah, we're
all right, aren't we, guys?

436
00:48:39,625 --> 00:48:41,665
We're all right! It's all right,
it's all right.

437
00:48:41,705 --> 00:48:44,185
<font color="
of rely on each other

438
00:48:44,225 --> 00:48:45,945
to know where we're going down the
steps.

439
00:48:45,985 --> 00:48:47,865
Yeah. As well as interacting.
You don't want to fall over... Yeah.

440
00:48:47,905 --> 00:48:49,505
..On, like, and audience member's
<font color="

441
00:48:49,545 --> 00:48:50,865
Oh, no - that's a fear. That's a
worst fear. Yeah!

442
00:48:50,905 --> 00:48:52,065
THEY LAUGH

443
00:48:54,145 --> 00:48:56,505
I think that's what's lovely about
doing the live shows

444
00:48:56,545 --> 00:49:00,825
is that you do get that instant
interaction, that instant feedback.

445
00:49:00,865 --> 00:49:02,865
<font color="
incredible.

446
00:49:02,905 --> 00:49:06,105
I'm often - behind my mask - like,
with tears. To the music.

447
00:49:06,145 --> 00:49:07,745
SHE LAUGHS
Cos it just moves me.

448
00:49:07,785 --> 00:49:09,385
It moves me so much.

449
00:49:09,425 --> 00:49:10,705
There we go.

450
00:49:10,745 --> 00:49:14,185
I can't see a thing. Very hot.
<font color="

451
00:49:14,225 --> 00:49:16,105
Bu that's showbiz - it's great!

452
00:49:17,385 --> 00:49:20,625
One of the hardest things to try
and describe

453
00:49:20,665 --> 00:49:24,945
is the amount of energy inside the
arena - in the stalls.

454
00:49:24,985 --> 00:49:25,425
is the amount of energy inside the
arena - in the stalls.

455
00:49:25,465 --> 00:49:27,705
<font color="

456
00:49:27,745 --> 00:49:30,705
you know, the audience, and how much
they love it.

457
00:49:30,745 --> 00:49:33,505
And celebrating the music. And it's
phenomenal.

458
00:49:33,545 --> 00:49:35,425
Bye.
ELEVATOR MUSIC PLAYS

459
00:49:35,465 --> 00:49:36,585
THEY CHUCKLE

460
00:49:42,465 --> 00:49:45,665
{\an8}MUSIC: "A Good Man?"
by Murray Gold

461
00:50:27,745 --> 00:50:30,105
VOCALISING

462
00:52:01,305 --> 00:52:03,025
CHEERING AND APPLAUSE

463
00:53:04,225 --> 00:53:05,905
CHEERING AND APPLAUSE

464
00:53:41,505 --> 00:53:43,745
CHEERING AND APPLAUSE

465
00:55:21,505 --> 00:55:22,625
{\an8}I tried to talk.

466
00:55:22,665 --> 00:55:24,145
{\an8}I want you to remember that.

467
00:55:24,185 --> 00:55:26,345
{\an8}I tried to reach out.

468
00:55:26,385 --> 00:55:27,905
I tried to understand you,

469
00:55:27,945 --> 00:55:30,865
but I think that you understand us
perfectly.

470
00:55:30,905 --> 00:55:32,825
THROUGH SPEAKER: And I think you
just don't care.

471
00:55:32,865 --> 00:55:37,545
And I don't know whether you are
here to invade or just replace us.

472
00:55:37,585 --> 00:55:38,745
I don't suppose it really matters
now.

473
00:55:38,785 --> 00:55:40,385
You are monsters!

474
00:55:40,425 --> 00:55:42,985
That is the role you seem determined
to play,

475
00:55:43,025 --> 00:55:46,745
so it seems that I must play mine...

476
00:55:48,505 --> 00:55:50,665
..the man that stops the monsters.

477
00:55:52,705 --> 00:55:54,625
I'm sending you back to your own
dimension.

478
00:55:54,665 --> 00:55:57,505
Who knows? Some of you
may even survive the trip.

479
00:55:57,545 --> 00:55:59,745
And, if you do, remember this -

480
00:55:59,785 --> 00:56:01,625
you are not welcome here.

481
00:56:01,665 --> 00:56:03,465
This plane is protected.

482
00:56:03,505 --> 00:56:05,945
I am the Doctor.

483
00:56:07,985 --> 00:56:09,705
SONIC SCREWDRIVER WHIRRS

484
00:57:11,945 --> 00:57:13,585
CHEERING AND APPLAUSE

485
00:57:20,945 --> 00:57:25,185
That was "A Good Man?", the music
that accompanied the Twelfth Doctor,

486
00:57:25,225 --> 00:57:27,105
That was "A Good Man?", the music
that accompanied the Twelfth Doctor,

487
00:57:27,145 --> 00:57:29,905
played, of course, by the
brilliant...?

488
00:57:29,945 --> 00:57:31,465
AUDIENCE:Peter Capaldi!

489
00:57:31,505 --> 00:57:34,705
..Peter Capaldi! Another ten points!

490
00:57:34,745 --> 00:57:36,265
CHEERING AND APPLAUSE,
CATHERINE CHUCKLES

491
00:57:39,025 --> 00:57:41,585
It featured vocals by Lucie Jones,

492
00:57:41,625 --> 00:57:45,065
and let us hear it again for the
amazing orchestra -

493
00:57:45,105 --> 00:57:49,625
the BBC National Orchestra of Wales
and the London Philharmonic Choir!

494
00:57:49,665 --> 00:57:49,785
the BBC National Orchestra of Wales
and the London Philharmonic Choir!

495
00:57:49,825 --> 00:57:51,465
CHEERING AND APPLAUSE

496
00:57:58,905 --> 00:58:01,345
Time now for more music,

497
00:58:01,385 --> 00:58:06,185
and we are going to hear some of
Murray Gold's most beautiful themes

498
00:58:06,225 --> 00:58:09,585
brought together in
"The Companions Suite".

499
00:58:09,625 --> 00:58:11,505
CHEERING AND APPLAUSE

500
00:58:14,065 --> 00:58:18,225
First, a new piece written for the
most recent season,

501
00:58:18,265 --> 00:58:22,545
from the haunting and unsettling
"73 Yards"

502
00:58:22,585 --> 00:58:22,745
from the haunting and unsettling
"73 Yards"

503
00:58:22,785 --> 00:58:25,145
to the tense battlefield drama
of "Boom",

504
00:58:25,185 --> 00:58:29,745
and finishing with the devastating
closing scene from "Dot And Bubble",

505
00:58:29,785 --> 00:58:33,105
this is "73 Yards to Finetime".

506
00:58:42,585 --> 00:58:45,745
{\an8}MUSIC SUITE: "73 Yards to Finetime"
by Murray Gold

507
01:05:33,225 --> 01:05:35,145
CHEERING AND APPLAUSE

508
01:05:49,065 --> 01:05:50,905
{\an8}MUSIC SUITE: "The Companions Suite"
by Murray Gold

509
01:05:50,945 --> 01:05:51,945
{\an8}AUDIENCE GASP

510
01:05:53,465 --> 01:05:55,745
CHEERING AND APPLAUSE

511
01:07:38,145 --> 01:07:40,505
CHEERING AND APPLAUSE

512
01:08:16,305 --> 01:08:18,505
CHEERING AND APPLAUSE

513
01:08:57,785 --> 01:08:59,945
CHEERING AND APPLAUSE

514
01:09:08,345 --> 01:09:10,185
VOCALISING

515
01:10:36,225 --> 01:10:38,505
CHEERING AND APPLAUSE

516
01:11:58,865 --> 01:12:01,025
CHEERING AND APPLAUSE

517
01:13:20,065 --> 01:13:22,065
CHEERING AND APPLAUSE

518
01:13:29,265 --> 01:13:34,185
With the fabulous Jodie Whittaker
taking control of the Tardis, and...

519
01:13:34,225 --> 01:13:34,705
With the fabulous Jodie Whittaker
taking control of the Tardis, and...

520
01:13:34,745 --> 01:13:36,825
CHEERING

521
01:13:36,865 --> 01:13:40,545
..and Chris Chibnall taking the reins
as showrunner...

522
01:13:40,585 --> 01:13:43,265
CHEERING

523
01:13:43,305 --> 01:13:46,625
..Segun Akinola also arrived as
composer

524
01:13:46,665 --> 01:13:48,745
with a different sound and approach.

525
01:13:48,785 --> 01:13:52,825
And it is the Thirteenth Doctor we
are going to celebrate next,

526
01:13:52,865 --> 01:13:57,225
with music from "The Woman Who Fell
To Earth", "Spyfall",

527
01:13:57,265 --> 01:14:00,905
"Demons Of The Punjab", and "The
Power Of The Doctor",

528
01:14:00,945 --> 01:14:04,745
featuring Hollie Buhagiar and Shahid
Abbas Khan on vocals,

529
01:14:04,785 --> 01:14:09,225
this is Segun Akinola's "The
Thirteenth Doctor".

530
01:14:09,265 --> 01:14:11,625
CHEERING AND APPLAUSE

531
01:14:22,065 --> 01:14:22,785
MUSIC: "The Thirteenth Doctor"
by Segun Akinola

532
01:16:09,705 --> 01:16:11,385
CHEERING AND APPLAUSE

533
01:17:38,745 --> 01:17:40,705
VOCALISING

534
01:21:18,025 --> 01:21:19,305
CHEERING AND APPLAUSE

535
01:21:38,265 --> 01:21:40,905
MUSIC: "Abigail's Song"
by Murray Gold

536
01:21:59,745 --> 01:22:04,185


537
01:22:04,225 --> 01:22:04,425
<font color="

538
01:22:04,465 --> 01:22:09,465


539
01:22:09,505 --> 01:22:12,025


540
01:22:14,545 --> 01:22:19,065


541
01:22:19,105 --> 01:22:19,185


542
01:22:19,225 --> 01:22:24,385


543
01:22:24,425 --> 01:22:27,025


544
01:22:29,345 --> 01:22:31,865


545
01:22:31,905 --> 01:22:37,105


546
01:22:37,145 --> 01:22:39,905
<font color="

547
01:22:44,425 --> 01:22:48,825


548
01:22:48,865 --> 01:22:49,225


549
01:22:52,545 --> 01:22:57,305


550
01:22:57,345 --> 01:22:57,705


551
01:22:59,065 --> 01:23:03,665


552
01:23:03,705 --> 01:23:04,065


553
01:23:04,105 --> 01:23:08,985


554
01:23:09,025 --> 01:23:12,105


555
01:23:14,145 --> 01:23:18,545
<font color="

556
01:23:18,585 --> 01:23:19,345


557
01:23:19,385 --> 01:23:23,865


558
01:23:23,905 --> 01:23:24,025


559
01:23:43,905 --> 01:23:47,625


560
01:23:47,665 --> 01:23:52,545


561
01:23:52,585 --> 01:23:54,945


562
01:23:57,345 --> 01:24:02,105


563
01:24:02,145 --> 01:24:02,305


564
01:24:02,345 --> 01:24:07,425
<font color="

565
01:24:07,465 --> 01:24:10,065


566
01:24:12,585 --> 01:24:17,185


567
01:24:17,225 --> 01:24:22,305


568
01:24:22,345 --> 01:24:25,025


569
01:24:27,665 --> 01:24:32,625

shadow

570
01:24:37,585 --> 01:24:42,465

shadow

571
01:24:42,505 --> 01:24:45,545
<font color="
shadow

572
01:24:47,265 --> 01:24:52,065

shadow

573
01:24:52,105 --> 01:24:55,225

shadow

574
01:24:57,265 --> 01:25:01,625

shadow

575
01:25:01,665 --> 01:25:02,225

<font color="

576
01:25:07,305 --> 01:25:11,985


577
01:25:12,025 --> 01:25:16,025


578
01:25:17,185 --> 01:25:21,825

shadow

579
01:25:21,865 --> 01:25:25,105

shadow

580
01:25:27,225 --> 01:25:31,705


581
01:25:31,745 --> 01:25:36,665


582
01:25:36,705 --> 01:25:38,665


583
01:25:41,945 --> 01:25:46,225
<font color="

584
01:25:46,265 --> 01:25:46,585


585
01:25:46,625 --> 01:25:51,545


586
01:25:51,585 --> 01:25:54,065


587
01:25:56,345 --> 01:26:01,105


588
01:26:01,145 --> 01:26:01,505


589
01:26:01,545 --> 01:26:06,425


590
01:26:06,465 --> 01:26:09,305


591
01:26:16,265 --> 01:26:20,025
CHEERING AND APPLAUSE

592
01:26:35,425 --> 01:26:39,225
The stunning voice of Aida
Garifullina.

593
01:26:48,185 --> 01:26:51,705
That was "Abigail's Song", written by
Murray Gold

594
01:26:51,745 --> 01:26:56,065
for Steven Moffat's 2010 Christmas
special, "A Christmas Carol".

595
01:26:56,105 --> 01:27:00,625
And - hold on to your Cybermen hats -

596
01:27:00,665 --> 01:27:01,625
And - hold on to your Cybermen hats -

597
01:27:01,665 --> 01:27:05,945
because we have got another Steven
Moffat Christmas treat...

598
01:27:05,985 --> 01:27:06,545
because we have got another Steven
Moffat Christmas treat...

599
01:27:07,865 --> 01:27:09,385
Well, hello.
CATHERINE CHUCKLES

600
01:27:09,425 --> 01:27:10,505
Hello?

601
01:27:10,545 --> 01:27:12,105
CHEERING AND APPLAUSE

602
01:27:13,385 --> 01:27:14,505
I'm going to GO!

603
01:27:15,625 --> 01:27:16,825
Bye!

604
01:27:16,865 --> 01:27:18,105
LAUGHTER

605
01:27:19,265 --> 01:27:20,985
Hello, you lot.
CHEERING

606
01:27:26,545 --> 01:27:28,825
Oh, what's the matter?

607
01:27:30,465 --> 01:27:32,185
Never seen a prom before?

608
01:27:34,945 --> 01:27:36,025
MRS FLOOD CHUCKLES

609
01:27:45,785 --> 01:27:48,785
SHE CHUCKLES

610
01:27:48,825 --> 01:27:53,745
Oh, look - we've got this
big, beautiful orchestra!

611
01:27:53,785 --> 01:27:55,545
Oh, look - we've got this
big, beautiful orchestra!

612
01:27:55,585 --> 01:27:57,305
HIYA!

613
01:27:57,345 --> 01:27:59,665
Hi. Hi.

614
01:27:59,705 --> 01:28:02,385
<font color="

615
01:28:02,425 --> 01:28:03,665
Yeah...

616
01:28:03,705 --> 01:28:05,425
Particularly him.
SHE CHUCKLES

617
01:28:05,465 --> 01:28:06,785
LAUGHTER

618
01:28:06,825 --> 01:28:08,745
You know, the last time that I went
to a concert was, um, ooh....

619
01:28:12,905 --> 01:28:15,865
1986.

620
01:28:15,905 --> 01:28:17,585
Yeah.

621
01:28:17,625 --> 01:28:19,065
I saw Queen.

622
01:28:19,105 --> 01:28:20,425
CHEERING AND APPLAUSE

623
01:28:25,385 --> 01:28:26,745
Have you heard of them?

624
01:28:27,905 --> 01:28:30,225
<font color="

625
01:28:30,265 --> 01:28:31,505
LAUGHTER

626
01:28:31,545 --> 01:28:32,665
A bit noisy.

627
01:28:34,345 --> 01:28:38,225
Anyway, my name is Mrs Flood.

628
01:28:41,745 --> 01:28:46,105
Yeah, that's my name, true and
proper - so don't argue.

629
01:28:46,145 --> 01:28:47,545
SHE GIGGLES

630
01:28:47,585 --> 01:28:49,745
I mean, you do believe me, don't
you?

631
01:28:49,785 --> 01:28:51,825
AUDIENCE:No!

632
01:28:51,865 --> 01:28:54,505
Oh, dissension in the ranks!

633
01:28:54,585 --> 01:28:59,625
<font color="
outer-space villain in disguise?

634
01:28:59,665 --> 01:29:02,545
I mean, what else would I be? Some
outer-space villain in disguise?

635
01:29:02,585 --> 01:29:04,065
AUDIENCE:Yes!

636
01:29:04,105 --> 01:29:07,625
No, don't make me laugh!

637
01:29:07,665 --> 01:29:11,985
I'm just a nice, quiet, friendly
soul.

638
01:29:12,025 --> 01:29:13,465
LAUGHTER
AUDIENCE MEMBER:<font color="

639
01:29:13,505 --> 01:29:17,105
Which is more than I can say for my
neighbours!

640
01:29:18,465 --> 01:29:22,985
I tell you, the girl upstairs -
calls herself Ruby, Ruby Sunday...

641
01:29:23,025 --> 01:29:25,105
I tell you, the girl upstairs -
calls herself Ruby, Ruby Sunday...

642
01:29:25,145 --> 01:29:28,145
CHEERING
Yeah. Pretty girl.

643
01:29:28,185 --> 01:29:32,385
<font color="
going to and fro

644
01:29:32,425 --> 01:29:35,225
with that mysterious man. You know,
with the funny blue box?

645
01:29:35,265 --> 01:29:36,305
CHUCKLING

646
01:29:36,345 --> 01:29:41,065
And I thought to myself, "Hello,
what's happening here, then?"

647
01:29:41,105 --> 01:29:43,065
And I thought to myself, "Hello,
what's happening here, then?"

648
01:29:44,545 --> 01:29:45,505
<font color="

649
01:29:46,625 --> 01:29:47,625
..what...

650
01:29:48,945 --> 01:29:50,425
..is the truth?

651
01:29:52,625 --> 01:29:56,985
You know, sometimes I hear whispers
on the breeze...

652
01:29:57,025 --> 01:29:57,505
You know, sometimes I hear whispers
on the breeze...

653
01:29:59,105 --> 01:30:03,385
telling me stories - amazing
tales...

654
01:30:03,425 --> 01:30:03,665
<font color="
tales...

655
01:30:05,305 --> 01:30:06,425
..like this one!

656
01:30:08,185 --> 01:30:11,705
Ladies and gentlemen,

657
01:30:11,745 --> 01:30:12,105
"The Legend Of Ruby Sunday".

658
01:30:17,425 --> 01:30:19,025
CHEERING AND APPLAUSE

659
01:33:05,825 --> 01:33:07,305
SUTEKH GROWLS

660
01:33:07,345 --> 01:33:08,945


661
01:33:09,905 --> 01:33:11,625


662
01:33:12,665 --> 01:33:14,345


663
01:33:15,425 --> 01:33:17,185


664
01:33:18,185 --> 01:33:20,305


665
01:33:21,345 --> 01:33:22,905
<font color="

666
01:33:23,985 --> 01:33:25,785


667
01:33:26,785 --> 01:33:28,625


668
01:33:29,625 --> 01:33:31,505


669
01:34:04,865 --> 01:34:05,945
WHISTLE BLOWS

670
01:34:47,585 --> 01:34:48,585
You win!

671
01:34:49,905 --> 01:34:52,145
HE PANTS

672
01:34:52,185 --> 01:34:54,785
Because I pride myself...

673
01:34:54,825 --> 01:34:57,745
I pride myself that I am better than
you.

674
01:34:57,785 --> 01:34:59,105
Because if you're death...

675
01:34:59,145 --> 01:35:00,745
SUTEKH GROWLS

676
01:35:00,785 --> 01:35:03,185
..then I must represent life.

677
01:35:03,225 --> 01:35:05,385
Surely, that's what I am?

678
01:35:05,425 --> 01:35:06,425
Life.

679
01:35:09,785 --> 01:35:11,705
SUTEKH GROWLS

680
01:35:11,745 --> 01:35:13,585
And that's how you win, Sutekh.

681
01:35:15,225 --> 01:35:16,665
Because you've turned me into this.

682
01:35:22,985 --> 01:35:24,705
SUTEKH ROARS

683
01:35:29,265 --> 01:35:31,185
SUTEKH SCREAMS

684
01:35:37,665 --> 01:35:38,905
SUTEKH ROARS

685
01:36:11,465 --> 01:36:12,425
VOCALISING

686
01:36:55,385 --> 01:36:56,425
Your life...

687
01:36:57,705 --> 01:36:58,945
..is out there now.

688
01:37:01,105 --> 01:37:05,305
I have shown you monsters, and
planets, and legends...

689
01:37:06,345 --> 01:37:07,345
..but this...

690
01:37:09,505 --> 01:37:12,185
Honey, your adventure is just
beginning.

691
01:37:15,905 --> 01:37:16,945
SHE SOBS

692
01:37:18,865 --> 01:37:20,585
Will I ever see you again?

693
01:37:20,625 --> 01:37:21,865
Of course you will!

694
01:37:23,185 --> 01:37:24,345
Of course you will.

695
01:37:28,865 --> 01:37:30,225
Because you've changed me.

696
01:37:32,305 --> 01:37:34,745
I talk about family in a way that I
never did before.

697
01:37:35,945 --> 01:37:37,785
That's because of you.
SHE LAUGHS

698
01:37:39,385 --> 01:37:41,665
You have made my life bigger and
better.

699
01:37:46,385 --> 01:37:47,385
And now...

700
01:37:48,545 --> 01:37:49,545
..Ruby Sunday...

701
01:37:52,305 --> 01:37:53,385
..goodbye.

702
01:37:58,065 --> 01:38:00,225
TARDIS ENGINES START UP

703
01:38:01,625 --> 01:38:03,465
METALLIC THRUMMING

704
01:38:10,985 --> 01:38:12,065
RUBY SOBS

705
01:38:15,705 --> 01:38:16,945
I love you.

706
01:39:13,385 --> 01:39:15,585
CHEERING AND APPLAUSE

707
01:39:21,865 --> 01:39:25,305
THE BBC National Orchestra of Wales,

708
01:39:25,345 --> 01:39:27,305
London Philharmonic Choir,

709
01:39:27,345 --> 01:39:29,545
organist Anna Lapwood...

710
01:39:29,585 --> 01:39:31,185
CHEERING

711
01:39:33,905 --> 01:39:36,785
..Hollie Buhagiar on vocals,

712
01:39:36,825 --> 01:39:39,185
conducted by Alastair King.

713
01:39:39,225 --> 01:39:40,305
CHEERING AND APPLAUSE

714
01:39:44,545 --> 01:39:48,585
That was Murray Gold's epic score

715
01:39:48,625 --> 01:39:52,145
for Russell T Davies' thrilling
season finale.

716
01:39:52,185 --> 01:39:57,225
And sadly, we have almost come to the
end of this Doctor Who prom.

717
01:39:57,265 --> 01:39:58,705
AUDIENCE GROAN

718
01:39:58,745 --> 01:40:00,305
I know!

719
01:40:00,345 --> 01:40:01,425
LAUGHTER

720
01:40:01,465 --> 01:40:03,625
But I also know what you're thinking.

721
01:40:04,785 --> 01:40:06,145
I know what YOU'RE thinking...
LAUGHTER

722
01:40:07,505 --> 01:40:09,505
"Time for one more?"

723
01:40:09,545 --> 01:40:11,105
CHEERING AND APPLAUSE

724
01:40:12,825 --> 01:40:14,825
Is...? Is there time for one more?

725
01:40:14,865 --> 01:40:15,945
CATHERINE LAUGHS

726
01:40:17,185 --> 01:40:20,545
Amazing! Well, when you have the
greatest theme

727
01:40:20,585 --> 01:40:22,105
tune in all of time and space,
there...

728
01:40:22,145 --> 01:40:23,505
CHEERING

729
01:40:23,545 --> 01:40:28,105
..really is only one way to end a
Doctor Who prom.

730
01:40:28,145 --> 01:40:29,225
..really is only one way to end a
Doctor Who prom.

731
01:40:29,265 --> 01:40:33,905
Written by Ron Grainer back in 1963

732
01:40:33,945 --> 01:40:38,225
and brought to life so unforgettably
by Delia Derbyshire

733
01:40:38,265 --> 01:40:40,305
in the BBC's legendary...
CHEERING AND APPLAUSE

734
01:40:43,305 --> 01:40:46,185
..Radiophonic Workshop,

735
01:40:46,225 --> 01:40:51,505
we are going to hear it now,
reimagined by Murray Gold for 2024.

736
01:40:51,545 --> 01:40:53,545
we are going to hear it now,
reimagined by Murray Gold for 2024.

737
01:40:53,585 --> 01:40:55,105
Oh yes!

738
01:40:55,145 --> 01:40:56,465
Enjoy!

739
01:40:56,505 --> 01:40:58,025
CHEERING AND APPLAUSE

740
01:40:59,985 --> 01:41:03,065
MUSIC: "Theme From Doctor Who"
by Ron Grainer and Delia Derbyshire

741
01:42:51,145 --> 01:42:53,345
CHEERING AND APPLAUSE

742
01:43:21,945 --> 01:43:24,785
There is one thing that I should warn
you about, Ruby,

743
01:43:24,825 --> 01:43:28,225
and this is...really very serious.

744
01:43:28,265 --> 01:43:30,865
With all my adventures throughout
time and space...

745
01:43:30,905 --> 01:43:33,025
MUSIC: "There's Always A Twist At The
End" by Murray Gold

746
01:43:33,065 --> 01:43:36,265
I have to tell you, there's always a
twist at the end.

747
01:43:40,305 --> 01:43:42,985

There's always a twist

748
01:43:43,025 --> 01:43:45,705


749
01:43:45,745 --> 01:43:48,305

There's always a twist

750
01:43:48,345 --> 01:43:50,985


751
01:43:51,025 --> 01:43:52,265
<font color="

752
01:43:52,305 --> 01:43:53,625


753
01:43:53,665 --> 01:43:55,145


754
01:43:55,185 --> 01:43:56,345


755
01:43:56,385 --> 01:43:58,825

end

756
01:44:01,505 --> 01:44:04,105

the Lindy Hop,

757
01:44:04,145 --> 01:44:06,865

<font color="

758
01:44:06,905 --> 01:44:09,545

the mighty Big Bopper,

759
01:44:09,585 --> 01:44:13,825

and no penalties for faults

760
01:44:13,865 --> 01:44:16,425

There's always a twist

761
01:44:16,465 --> 01:44:19,065


762
01:44:19,105 --> 01:44:21,705
<font color="
There's always a twist

763
01:44:21,745 --> 01:44:24,225


764
01:44:24,265 --> 01:44:27,065

Land's End, make do and mend

765
01:44:27,105 --> 01:44:29,665

always,

766
01:44:29,705 --> 01:44:32,505

end

767
01:44:32,545 --> 01:44:35,105
<font color="
end

768
01:44:35,145 --> 01:44:37,785


769
01:44:37,825 --> 01:44:40,225


770
01:44:40,265 --> 01:44:42,985

end

771
01:44:43,025 --> 01:44:46,185

twist

772
01:44:46,225 --> 01:44:48,185

<font color="

773
01:44:48,225 --> 01:44:50,945

we know what's best

774
01:44:50,985 --> 01:44:55,865

north-west!

775
01:44:55,905 --> 01:44:56,625

north-west!

776
01:45:07,345 --> 01:45:10,265


777
01:45:10,305 --> 01:45:12,265


778
01:45:12,305 --> 01:45:15,145

you'll run the risk

779
01:45:15,185 --> 01:45:20,305

Always a twist

780
01:45:20,345 --> 01:45:20,545

Always a twist

781
01:45:20,585 --> 01:45:23,625


782
01:45:23,665 --> 01:45:25,505


783
01:45:25,545 --> 01:45:28,585

la-la-la-la-la-la-la-la-la-la-la

784
01:45:28,625 --> 01:45:31,065


785
01:45:31,105 --> 01:45:33,345


786
01:45:33,385 --> 01:45:36,065

the end

787
01:45:36,105 --> 01:45:38,905


788
01:45:38,945 --> 01:45:41,665
<font color="

789
01:45:41,705 --> 01:45:44,345

Always

790
01:45:44,385 --> 01:45:45,705


791
01:45:45,745 --> 01:45:50,065


792
01:45:50,105 --> 01:45:52,905


793
01:45:54,185 --> 01:45:56,745
CHEERING AND APPLAUSE

794
01:46:04,785 --> 01:46:08,345
Please give it up for Lucie Jones...

795
01:46:08,385 --> 01:46:09,985
CHEERING AND APPLAUSE

796
01:46:13,105 --> 01:46:14,905
..Tobias Turley...

797
01:46:14,945 --> 01:46:17,585
CHEERING AND APPLAUSE

798
01:46:17,625 --> 01:46:21,465
..our AMAZING dancers and performers.

799
01:46:21,505 --> 01:46:22,985
CHEERING AND APPLAUSE

800
01:46:24,465 --> 01:46:28,385
..The ONE AND ONLY Anita Dobson...

801
01:46:28,425 --> 01:46:29,825
CHEERING AND APPLAUSE

802
01:46:32,185 --> 01:46:35,425
..the spectacular Aida Garifullina...

803
01:46:35,465 --> 01:46:37,065
CHEERING AND APPLAUSE

804
01:46:38,665 --> 01:46:40,345
..Shahid Abbas Khan...

805
01:46:40,385 --> 01:46:41,745
CHEERING AND APPLAUSE

806
01:46:43,865 --> 01:46:45,385
..Hollie Buhagiar...

807
01:46:45,425 --> 01:46:46,865
CHEERING AND APPLAUSE

808
01:46:49,425 --> 01:46:52,065
..organist Anna Lapwood...

809
01:46:52,105 --> 01:46:53,625
CHEERING AND APPLAUSE

810
01:46:56,625 --> 01:47:00,465
..the BBC National Orchestra of Wales

811
01:47:00,505 --> 01:47:04,265
with their leader, Lesley Hatfield...

812
01:47:04,305 --> 01:47:06,945
CHEERING AND APPLAUSE

813
01:47:08,665 --> 01:47:11,625
..London Philharmonic Choir,

814
01:47:11,665 --> 01:47:16,105
with their chorus director,
Tori Longdon...

815
01:47:16,145 --> 01:47:16,585
with their chorus director,
Tori Longdon...

816
01:47:16,625 --> 01:47:18,105
CHEERING AND APPLAUSE

817
01:47:20,065 --> 01:47:21,065
..conductor...

818
01:47:22,745 --> 01:47:23,825
..Alastair King...

819
01:47:23,865 --> 01:47:25,625
CHEERING AND APPLAUSE

820
01:47:29,665 --> 01:47:32,865
..and please welcome Murray Gold...

821
01:47:32,905 --> 01:47:34,745
CHEERING AND APPLAUSE

822
01:47:34,785 --> 01:47:37,505
..and Segun Akinola!

823
01:47:41,305 --> 01:47:44,665
You have been glorious!

824
01:47:46,185 --> 01:47:47,985
Thank you so much,

825
01:47:48,025 --> 01:47:49,465
and goodnight!

826
01:47:49,505 --> 01:47:51,345
CHEERING AND APPLAUSE


